The complex entanglement of bodies, sex, technology, and plastics is the subject of Johanna Bruckner’s dance and media performance Sym-poetic Desires. A speculative sex robot is proposed through physical enactment in a polyrhythmic cyberspace aimed at queering technology-led world views of intimate relations. The bot stores information and its subsequent actions are based on training, which generates data-scapes of pleasure, redefining access and connection within computing. The emerging data-scape promotes polygamy, polymorphism and micro-political viruses.